Art + Environment seeks lively original writing that explores contemporary art, architecture, and design and its intersections with environment, nature, landscape and place in support of the practice, study and awareness of creative interactions between people and their natural, built, virtual environments. These areas are broadly defined, and the breadth of potential content expansive, extending to fields including geography, ecology, environmental studies, history, media and technology, and literature, to name a few. Art + Environment publishes blog entries, essays, and observations that blend interesting critical and research-based rigor with personal experience and journalistic edge, and reviews of books, exhibitions, programs, and projects going on in the fields inhabiting the intersections of art and environment. Art + Environment values clear, thoughtful, and articulate prose, accessible to sophisticated lay readers, as well as professional and academic readers. Send manuscripts, proposals, or queries electronically to socialnetwork@nevadaart.org. Put “Art + Environment Submission” in the subject line. Submit texts as copy in the body of the email message and as attachments, preferably Microsoft Word. Include detailed contact information. Including a best phone number may expedite the submission and publication process. Art + Environment is interested in illustrative audio-visual material: images, video, and sound files related to the submitted text(s) are welcome with appropriate citations. Supplemental audio-visual work should be accompanied with brief explanatory texts and captions. In general, text submissions should be 300-1000 words, though longer pieces may be considered for publication.
Topics raised at the Art +Environment Conferences held at the Nevada Museum of Art
22 discussions
by Bill Fox, Director of the Center for Art + Environment at the Nevada Museum of Art
Image: The entrance to Emerald City, otherwise known as Metabolic Studio’s IOU Garden in downtown Lone Pine. Photograph by Adam Levine, Courtesy of the Metabolic…
by Bill Fox, Director of the Center for Art + Environment at the Nevada Museum of Art
Image: The grave marker of Walter Hopps in the Lone Pine Cemetery. Photograph by Adam Levine, Courtesy of the Metabolic Studio, 2012
I’ve traveled…
by Bill Fox, Director of the Center for Art + Environment at the Nevada Museum of Art
IMAGE: Installation View at Oats Park School, "Drawn To / Drawn From, A Forty Five Year Survey" (Left to Right) Template, 2003; Stone Stairs, 2006; White Cave, 2006; Puddle, 2012 on…
reviewed by David Stentiford
After Nazi pressures led to the closure of the Bauhaus in 1933, leading members reestablished their lives and work outside of Germany, first in London and ultimately in the United States. During this pivotal moment of displacement, Bauhaus thinking also…
by Michaela Rife
Visit the official Wyoming state tourism website and you will be greeted with promises of “untouched” beauty. Nature is a crucial part of the state’s public image, packed within the “Forever West” campaign that…
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through April 29, 2012
through March 12, 2012
© 2012 Created by Nevada Museum of Art.
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